Feliks Skrzynecki and Mean Girls

The Poem, ‘Feliks Skrzynecki,’ created by Peter Skrzyneck, investigates a connection among father and child, and their differentiating encounters of having a place with another spot to call home. My related content, ‘The Perks of being a wallflower,’ a novel made by Stephen Chbosky, is a story described by an adolescent who passes by the nom de plume of â€Å"Charlie. † Charlie clarifies and investigations different scenes throughout his life by composing a progression of letters to a mysterious individual whom he doesn't know personally.When the story starts, Charlie is modest a disliked, he is an introvert, however when he chooses to be fearless enough to converse with the prettiest young lady in the school, Sam, his life changes and he encounters self preoccupation, high school sexuality, misuse, medication and liquor use, and the off-kilter times of youthfulness. The initial line of ‘Feliks Skrzynecki,’ ‘My delicate father,†™ permits the peruser to anticipate that this sonnet can not exclusively be viewed as an observable tribute to the composer’s father, yet can likewise suggest a physical journey.This thought of an excursion turns out to be progressively clear all through different regions of the sonnet including the illustration utilized is verse seven, â€Å"After that, similar to a stupid prophet, watched me pegging my tents further and further south of Hadrian’s divider. † This line permits the peruser to comprehend that the dad could anticipate the consequence of his son’s separation, however decides to remain calm to permit his child to learn for himself.The line in refrain three, ‘His clean companions, consistently shook hands too violently† passes on a sentiment of distress inside the child, it is apparent that the child feels segregated from the â€Å"violent† methods of his legacy and feels like he doesn't have a place, similar to he is a par iah. This line unequivocally identifies with a line on page 8 in ‘The advantages of being a wallflower’, â€Å"Some kids take a gander at me peculiar in the foyers since I don't brighten my storage, and I'm the person who beat up Sean and couldn't quit crying after he did it. I surmise I'm quite enthusiastic. I feel these two lines firmly relate on the grounds that the two of them clarify a sentiment of being outkast, they make an uncomfortable mind-set in which you are situated to comprehend that they don’t feel like they have a place. In refrain six of ‘Feliks Skrzynecki,’ a picture of harmony, security and having a place is passed on. â€Å"My father passes on the night with his canine, smoking, watching stars and road lights please, Happy as I have ever been,† This refrain makes an amicable climate through the collection of positive images.It passes on a constrast between Feliks’ independence and Peters discontent. This line likewi se passes on Feliks’ ability to appreciate a feeling of having a place that has gotten through his encounters of torment. His brain has been expanded to comprehend the main thing throughout everyday life. The line, â€Å"I set down on his old bed, and I glanced through the window at this tree was presumably much shorter when my father took a gander at it. What's more, I could feel what he felt on the night when he understood that on the off chance that he didn't leave, it could never be his life.It would be theirs. At any rate that is the way he's put it. ,† from my related content identified with the recently referenced refrain through the feeling of their dads satisfaction. The two dads have experienced torment and enduring and get to the meaningful part where they knew precisely what they should have been glad, to get away from the unforgiving reality. In refrain one, Skrzynecki composes, â€Å"Loved his nursery like a lone youngster, went through years strolling i ts edge from dawn to rest. Alert, energetic and quiet, he cleared its ways, at that point times far and wide. The spot that Feliks has a sense of security is in his nursery, it is his asylum, it is the place he has a place. His encounters of war had prompted a picked condition of positive disengagement in a protected and secure spot that he could control.On page 198, Chbosky composes, â€Å"I set down on his old bed, and I glanced through the window at this tree was most likely significantly shorter when my father took a gander at it. What's more, I could feel what he felt on the night when he understood that in the event that he didn't leave, it could never be his life. It would be theirs. In any event that is the means by which he's put it. I feel that these two lines coinside through a feeling of having a place, regardless of whether it be to a spot, an inclination or a memory. At a specific point in time, they were the place they had a place. Through apparent focuses, it very w ell may be seen that having a place is an inclination of acknowledgment, as a characteristic part or part, and that having a place is an essential requirement for human capacity and endurance. The two writings show a timetable of both great and terrible encounters, yet pass on a sentiment of satisfaction inside their picked ‘homes’ or any place it is that they feel generally good, where they believe they have a place most.For Peter, it was his adolescence, when everything was simple and nothing hurt. For Feliks, it was in his nursery, his solitary asylum and for Charlie, it was between the two individuals that had the greatest effect on his life, Sam and Patrick. While the endings to the two writings are not excessively upbeat, they challenge having a place in there own ways and it very well may be conluded that Social seclusion can have negative outcomes on an individual or a general public and that satisfaction and having a place go connected at the hip. You can't fee l like you have a place each second of your life, it just isnt human.